a) Romanticism<br />b) Parnassianism<br />c) European avant-garde movements, such as Futurism and Cubism<br />d) Realism
a) Manuel Bandeira<br />b) Oswald de Andrade<br />c) Mário de Andrade<br />d) Carlos Drummond de Andrade
a) Salvador<br />b) Rio de Janeiro<br />c) São Paulo<br />d) Belo Horizonte
a) The critical absorption of foreign culture and its transformation into something<br />Brazilian<br />b) The return to Brazilian indigenous traditions<br />c) The complete rejection of European influence<br />d) The strengthening of Parnassianism
a) Use of colloquial language and close to orality<br />b) Strong moralistic appeal<br />c) Valuation of formal and erudite language<br />d) Religious and mystical themes
a) Social and political criticism<br />b) Indigenous mythology and symbolism<br />c) The search for the fantastic and surreal<br />d) Formal experimentalism
a) João Cabral de Melo Neto<br />b) Manuel Bandeira<br />c) Jorge Amado<br />d) Graciliano Ramos
a) "Grande Sertão: Veredas"<br />b) "Vidas Secas"<br />c) "A Hora da Estrela"<br />d) "O Guarani"
a) Rescue of classical traditions<br />b) Formal freedom and artistic innovation<br />c) Complete rejection of any foreign influence<br />d) Search for technical perfection in poetry and prose
a) Candido Portinari<br />b) Tarsila do Amaral<br />c) Di Cavalcanti<br />d) Anita Malfatti